[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ collapsed=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#008CFE” divider_weight=”6px” _builder_version=”4.27.4″ _module_preset=”default” width=”9%” width_tablet=”” width_phone=”33%” width_last_edited=”on|phone” custom_margin=”||6px||false|false” global_module=”147″ saved_tabs=”all” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n
D. Jullien et al.<\/em>, \u201cHygromechanical study of a 16th century painted wooden panel: In-situ experiments to quantify the mechanical effect of the frame and the cradle,\u201d Journal of Cultural Heritage, vol. 64, pp. 266\u2013274, Nov. 2023, https:\/\/doi.org\/10.1016\/j.culher.2023.10.011<\/a>.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]C. Gauvin, L. Sauvage and G. Tournillon, \u201cEngineering approach to conservation. Monitoring hygromechanical behaviour as a tool for supporting decision-making of panel painting conservation\u201d, Wood Science and Technology III Conference 19-20-21 October 2023, Maastricht.[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]C. Gauvin et G. Tournillon, \u201cConservation extr\u00eame, aide au diagnostic par la caract\u00e9risation de la m\u00e9canique du bois\u201d, SFIIC – 11\u00e8me Journ\u00e9e d’\u00e9tude du Groupe Bois : “Que fait-on quand il n\u2019y a plus rien \u00e0 faire ?” 06 Octobre 2023, Paris.[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n C. Gauvin, L. Sauvage, T. Bajon-Bouzid, R. D\u00e9jean, G. Tournillon, and E. A. Bentz, \u201cA 1000-year-old story told over 70 meters: A multidisciplinary approach for the future conservation and display of the Bayeux Tapestry,\u201d in Working Towards a Sustainable Past. ICOM-CC20th Triennial Conference Preprints, Valencia,18\u201322 September 2023, J. Bridgland, Ed., Paris: International Council of Museums, 2023.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n J.-C. Dupr\u00e9 et al.<\/em>, \u201cExperimental study of the hygromechanical behaviour of a historic painting on wooden panel : devices and measurement techniques,\u201d Journal of Cultural Heritage, vol. 46, pp. 165\u2013175, Nov. 2020, https:\/\/doi.org\/10.1016\/j.culher.2020.09.003<\/a>.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n L. Sauvage, W. Wei, and M. Martinez, \u201cWhen conservation meets engineering: predicting the damaging effects of vibrations on pastel paintings,\u201d Studies in Conservation, vol. 63, no. sup1, pp. 418\u2013420, Aug. 2018, https:\/\/doi.org\/10.1080\/00393630.2018.1504444<\/a>.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n L. Sauvage, H. Stratis, and L. Harrison, \u201cPastel roundtable: a study day at the national gallery, London April 30, 2018,\u201d Journal of Paper Conservation, vol. 19, no. 1, pp. 33\u201335, 2018, https:\/\/doi.org\/10.1080\/18680860.2019.1580005<\/a>.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n C. Gauvin et al.<\/em>, \u201cStrain measurements during structural conservation treatment and the long-term monitoring of a 17th-century Dutch panel painting,\u201d in ICOM Committee for Conservation 18th Triennial Meeting Copenhagen Denmark 4-8 September 2017, Pulido & Nunes; ICOM Committee for Conservation, 2017.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n S. E. Ekelund et al.<\/em>, \u201cThe development of a methodology to understand climate-induced damage in decorated oak wood panels,\u201d in ICOM-CC 18th Triennial Conference The development of a methodology 2017 Copenhagen, 2017.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||22px||false|false” custom_padding=”||22px||false|false” border_color_all=”#000029″ border_width_bottom=”1px” border_color_bottom=”rgba(0,140,254,0.22)” global_colors_info=”{}”]<\/p>\n